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Himalayan Blue Poppy

Flower with Insect

Hare Bell and Bear Barry

Ice Plant and Monterey Coast

Aquarius — 1991

David Felker — 1989

Lion's Head — 1992

Train Wreck — 1993

Heavenly Bodies — 1996

Untitled — 2006

Mapping the Eye, Bodyworks — 2006

Mohs Scale (in collaboration with Jean Ayers) — 2012

Janus Glacies (Self Portrait) — 2010

Population Explosion — 2020

7 Million Two Hundred Thousand Ravens — 2017

White Wash—2019

I started creating digital art before I started using digital cameras. As a graphic designer that embraced the tools of desktop publishing, I was an early adopter of Adobe Photoshop (version 1). With my design and fine art background, I began creating digitally montaged images of scanned photographs, drawings and text. Using Pixel Bender (a plug-in to Photoshop CS5) I experimented with digital painting. My digital works have been in numerous exhibitions and in commercial campaigns starting in the late 1980s. Since then my digital works have continued to evolved. This is a selection of work from the last 30 years.

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Himalayan Blue Poppy

Flower with Insect

Hare Bell and Bear Barry

Ice Plant and Monterey Coast

Aquarius — 1991

David Felker — 1989

Lion's Head — 1992

Train Wreck — 1993

Heavenly Bodies — 1996

Untitled — 2006

Mapping the Eye, Bodyworks — 2006

Mohs Scale (in collaboration with Jean Ayers) — 2012

Janus Glacies (Self Portrait) — 2010

Population Explosion — 2020

7 Million Two Hundred Thousand Ravens — 2017

White Wash—2019

I started creating digital art before I started using digital cameras. As a graphic designer that embraced the tools of desktop publishing, I was an early adopter of Adobe Photoshop (version 1). With my design and fine art background, I began creating digitally montaged images of scanned photographs, drawings and text. Using Pixel Bender (a plug-in to Photoshop CS5) I experimented with digital painting. My digital works have been in numerous exhibitions and in commercial campaigns starting in the late 1980s. Since then my digital works have continued to evolved. This is a selection of work from the last 30 years.

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Himalayan Blue Poppy

Flower with Insect

Hare Bell and Bear Barry

Ice Plant and Monterey Coast

Aquarius — 1991

David Felker — 1989

Lion's Head — 1992

Train Wreck — 1993

Heavenly Bodies — 1996

Untitled — 2006

Mapping the Eye, Bodyworks — 2006

Mohs Scale (in collaboration with Jean Ayers) — 2012

Janus Glacies (Self Portrait) — 2010

Population Explosion — 2020

7 Million Two Hundred Thousand Ravens — 2017

White Wash—2019

I started creating digital art before I started using digital cameras. As a graphic designer that embraced the tools of desktop publishing, I was an early adopter of Adobe Photoshop (version 1). With my design and fine art background, I began creating digitally montaged images of scanned photographs, drawings and text. Using Pixel Bender (a plug-in to Photoshop CS5) I experimented with digital painting. My digital works have been in numerous exhibitions and in commercial campaigns starting in the late 1980s. Since then my digital works have continued to evolved. This is a selection of work from the last 30 years.